When Lindy Heymann first was first given the track she was only told that it was a song and it was by Mark Owen. When she listened to the track she got the idea of 'its the end of the world' from the lyrics and way the song was made. She wanted to shoot the video in an empty part of London, but unfortunately they didn't have the sort of money to make that happen. After deciding that she wanted to shoot this video with a dark twist, Mark Owens record label said that from a marketing point of view, this would push the 'Take That' fans away because quoting Lindy Heymann, Mark Owens is like 'the boy next door'. Soon after that, she met Mark Owen and he agreed with her, he wanted to do something completely different to Take That. Unexpectedly, he didn't think it was dark enough and put the idea forward of him being dead at the end of the video, when this idea arose his record label were really against it, but Mark Owen was determined to push himself. Lindy Haymann then had to make the hard decision of going with the artist who's work it really is, or the record label who are only interested in marketing. She then created a storyboard for the basic story of the video and began filming, Lindy thought it was best to have a second camera for the part that includes a bird flying off, she also had this second camera man (with not as much crew as the first, main camera) to shoot skylines, etc. Everything was shot in a small area, just in different places. The directors, actors and filming crew were out 6-8 (14 hours) working on the video.
Sunday 15 July 2012
Research on Lindy Heymann
When Lindy Heymann first was first given the track she was only told that it was a song and it was by Mark Owen. When she listened to the track she got the idea of 'its the end of the world' from the lyrics and way the song was made. She wanted to shoot the video in an empty part of London, but unfortunately they didn't have the sort of money to make that happen. After deciding that she wanted to shoot this video with a dark twist, Mark Owens record label said that from a marketing point of view, this would push the 'Take That' fans away because quoting Lindy Heymann, Mark Owens is like 'the boy next door'. Soon after that, she met Mark Owen and he agreed with her, he wanted to do something completely different to Take That. Unexpectedly, he didn't think it was dark enough and put the idea forward of him being dead at the end of the video, when this idea arose his record label were really against it, but Mark Owen was determined to push himself. Lindy Haymann then had to make the hard decision of going with the artist who's work it really is, or the record label who are only interested in marketing. She then created a storyboard for the basic story of the video and began filming, Lindy thought it was best to have a second camera for the part that includes a bird flying off, she also had this second camera man (with not as much crew as the first, main camera) to shoot skylines, etc. Everything was shot in a small area, just in different places. The directors, actors and filming crew were out 6-8 (14 hours) working on the video.
Research on Jake Wynee
JAKE WYNEE
After watching the video on ‘The making of Nojahoda’ I found out that Wynee used Camera lenses on the Video cameras, he states it gives a “slightly anamorphic stretched, wide screen vibe”. All the locations are from the Sony Records building, including the two lifts which are different lifts from the same building, the hallway, the boardroom, this was all free because it’s their band. The choir that was used in the video was fans of the band, therefore this also cost them nothing and it was an exciting way to bring the fans and band together.
After watching the video on ‘The making of Nojahoda’ I found out that Wynee used Camera lenses on the Video cameras, he states it gives a “slightly anamorphic stretched, wide screen vibe”. All the locations are from the Sony Records building, including the two lifts which are different lifts from the same building, the hallway, the boardroom, this was all free because it’s their band. The choir that was used in the video was fans of the band, therefore this also cost them nothing and it was an exciting way to bring the fans and band together.
There’s a main man in the
video which is Jake Wynee’s father, this was obviously free and still looks
completely professional. The effects that were included in the video were
mostly taken off the Internet such as the jets, the explosion on the building
was taken out of the film ‘Independence Day’, all this was manipulated into the
video. The use of having the video made in black and white makes it a lot easier
to blend the manipulations in easily, this creates it “reasonably seamless”.
Monday 9 July 2012
Shot Count Analysis
SHOT COUNT ANALYSIS
Track: Born To Die
Track: Born To Die
Artist: Lana Del Rey
Director: Yoann Lemoine
Release Date: 31/01/2012
Length of video: 00:04:47
Number of shots in entire video: 66
Average length of shot: 00:00:02
Number of shots in 30 second segment: 40
Within the 30 second segment there are:
Number of CU: 14
Number of ECU: 1
Number of LS: 11
Number of MS: 14
Number of panning shots: 19
Number of tilts: 0
Other shots:
Zooms: 10
After doing this task I have realised that there are many short shots that I need to be aware of for my video, I need to include a lot of 2 - 3 second shots in my video to make it look convincing as a real music video. I also need to be aware that it isn't just short shots, the long shots are incredibly long such as the first two: '00:00:12' and '00:00:33'.
Analysis
Shot number
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Shot type
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Shot length
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Description
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Edit to next shot
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1
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2
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3
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4
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7
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8
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9
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10
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11
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12
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13
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14
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15
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16
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17
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18
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19
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21
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33
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34
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35
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36
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37
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38
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39
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40
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